A Serious Compact
These days, everyone’s a photographer. There can be no doubt that the advent of the digital camera has provided vast numbers with the means to explore their creativity through photography. As such there is a vast and growing industry just to support the great unwashed in their quest to take better photographs, or at least to advise what camera to buy.
So there is absolutely no need for anyone else to be dispensing photographic advice. But here I go anyway!
My unique angle, such as it is, is that I recently had an … unscheduled equipment upgrade. Otherwise known as a burglary. This meant starting afresh with all-new shiny toys, courtesy of the insurance company.
This is the first of a series of articles in which I
gloat review some photographic kit and provide some hopefully helpful advice along the way.
But firstly let me disclaim that I have no photographic credentials to speak of. You probably know more about photography than I do. But then again maybe you don’t. Maybe you can view my shots (below) and decide for yourself.
The Big Question
For a few years now the most common photographic equipment dillema has been: DSLR or not. Ever since a few years ago when the Canon EOS 300D arrived on the scene at an affordable price, people like myself have been constantly wondering whether to go for great quality photographs with the big and heavy DSLR, or for lower quality but enjoy convenience of the small and light point-n-shoot.
My old camera equipment was burgled shortly before we took off on the previously-mentioned vacation to Thaliand. Hence I needed to find a replacement camera in a hurry. I asked my friend Peter, who dispensed some excellent advice. He told me that although he owned a very capable DSLR, the camera he ended up using 95% of the time was his venerable Panasonic Lumix. The convenience of the small camera means that it is simply available to take shots, when the DSLR is sleeping soundly in its camera bag (or where-ever).
Although recently DSLRs have become cheaper and lighter, so too the point-n-shoots have become more capable. I think that the quality and performance gap between a point-n-shoot and a DSLR is partly due to hard physical limits. For example, it seems to be very hard to make a small, light, fast lens. Until this obstacle is overcome, there will continue to be a huge gap between DSLRs and compacts in terms of size and performance. However in the meantime I take the view that DSLRs and (quality) point-n-shoots are complementary.
The Serious Compacts Arrive
Camera makers are realising this too, and recently there has emerged a segment of the camera market devoted to what I and others call serious compacts.
You can generally tell a serious compact from the rest by the presence of RAW image capture. And although it’s not a particularly must-have feature (IMHO anyway), generally such cameras have other worthwhile features such as more flexible controls, a flash hotshoe, better sensors, and faster performance.
Up until a few years ago the sensor pixel count was a handy metric to assess the quality of the camera, but now the number is almost irrelevant; almost all cameras have adequate pixels for most purposes, and so the megapixel count is generally unimportant.
However there is a single number which, in my experience, does provide a useful guage of the quality of a compact camera: the maximum lens aperture (the lower the number, the better, by the way). And this guideline certainly holds for the serious compacts, most of which have very good lenses, given their size.
In short, this market segment has attracted a lot of attention lately, and there are some terrific cameras coming out.
Ricoh GX100: Lens
To my mind the best thing about the GX100 (which it shares with the GX200) is the lens. It is a zoom, with a maximum aperture of f/2.5 at its widest, down to f/4.4 when zoomed in (72mm equivalent). The wide aperture allows lots of light in, which means you don’t need to use the flash, and it also that great Bokeh effect where the background is blurred to emphasise the subject.
Also handy is the fact that it can zoom out, to a equivalent of 24mm. This is fantastic for indoor shots, or other relatively confined spaces where you often just can’t get far enough away to get everything in frame. Real-estate agents, this is your camera!
Lastly, the lens will focus objects that are as close as 1cm away. This makes it ideal for close-ups.
In a lot of ways, the GX100 is more flexible than my DSLR.
Ricoh GX100: Features
The Ricoh has many other redeeming features besides the lens. It also shoots RAW images, although these do take about 3–4 seconds to write to the memory card, so I use this feature sparingly.
It supports most of the usual shooting modes (portrait, macro, sports, etc) that you find on most cameras but also allows for program mode and aperture-priority. The auto-focus feature is good, but manual focus is also possible, and sometimes necessary.
There is an electronic (that is to say, little LCD screen) viewfinder available as an optional attachment. I generally don’t use it because I always forget to take it with me!
There is a high-ISO mode which increases the sensitivity of the camera and allows low-light shots without a flash. However the increase in noise is noticable above about ISO 400, so this feature is of limited benefit. I think if there was one thing that I would change about the GX100 it would be to reduce sensor noise at high ISO settings.
Here are some shots taken with the GX100. Most have had some light editing. More on flickr.
Overall I’m very happy with the GX100; it takes great pictures and is a great complement to a DSLR. Next article I’m going to talk about my DSLR and how much it confuses me.